| 作 者： | 梁超群 |
| 出版社： | 上海三联书店 |
| 丛编项： | |
| 版权说明： | 本书为公共版权或经版权方授权，请支持正版图书 |
| 标 签： | 文学理论 |
| ISBN | 出版时间 | 包装 | 开本 | 页数 | 字数 |
|---|---|---|---|---|---|
| 未知 | 暂无 | 暂无 | 未知 | 0 | 暂无 |
序
Acknowledgements
中文题要
Abstract
Introduction
Ⅰ. Timeless Oedipal revolts
Ⅱ. Social Oedipal revolutions since the mid-19thcentury
Ⅲ. Hopes of redemption
Ⅳ. Tennessee Williams as a modernist dramatist
Ⅴ. Tennessee's complex relationship with his own father C.C.
Ⅵ. The father in Williams' theatre
Chapter 1 The Glass Menagerie: The Post'Patricide ExistentialAnarchy
Ⅰ. Timeless Oedipal revolts
Ⅱ. The disjointed world as a result of the absence of thefather
Ⅲ. Absence of the father as an expression of bitterdisillusionment
Chaoter 2 A Streetcar Named Desire: The Dead Father as aToxic Legacy
Ⅰ. Blanche's visitation and her tragic ending
Ⅱ. Return of the dead father and his re-death--ametaphorical reading
Ⅲ. Cultural significance of the father's loss: decline ofthe degraded Apollonian rule and the old Europe
Chapter 3 Cat on a Hot Tin Roof: The Glorious Comeback of theFather as a Tribute to American Pragmatism
Ⅰ. Maggie--the Cat on the hot tin roof
Ⅱ. Brick--the melancholic prince
Ⅲ. The father's saving grace and the \brick-wall-breakingoperation\
Ⅳ. A dramatized tribute to King Big Daddy and hisAmerica
Chapter 4 The Night of the Iguana : Communication and MutualHelp Replacing the Quest for the Father
Ⅰ. Everyone is hell and is in hell
Ⅱ. Everyone can be someone's angel
Ⅲ. Williams' attempt to liquidate his old self
Ⅳ. Communicative rationality as the saving grace right athand
Ⅴ. Dethroned father figure integrated into the cycle ofredemption
Conclusion
Bibliography
