中西雕塑比较（英文版）

中西雕塑比较（英文版）
作　者： 黄宗贤 吴永强
出版社： 五洲传播出版社
丛编项： 中西文化比较丛书
版权说明： 本书为公共版权或经版权方授权，请支持正版图书
标　签： 雕塑
ISBN 出版时间 包装 开本 页数 字数
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作者简介

　　Mr. Huang Zongxian，Mr. Huang Zongxian was bom in 1958. He has another name Ling Yu. He is a native of Danleng， Sichuan province and a PhD in fine arts. He is the member of Chinese Ardsts Association， vice-president of Sichuan Artists Association and chairman of Sichuan Art Education Association.Now he works as president， professor and PhD candidate supervisor in the Art Academy of Sichuan University. He is also an expert who gets the special govemment allowance of the State Council. He has independently written and edited 11 academic monographs and published dozen of academic papers. Professor Huang has been engaged in teaching and research of art studies for a long time and especially has made significant achievements in the field of research on Chinese modem art. He is a quite influential in the area of art theory in China.Mr. Wu Yongqiang：Mr. Wu Yongqiang was bom in 1966. He is a native of Nanchong， Sichuan province and a PhD in Literature science. He is a member of Sichuan Artists Association and Ch...

内容简介

Mr. Huang Zongxian was bom in 1958. He has another name Ling Yu. He is a native of Danleng， Sichuan province and a PhD in fine arts. He is the member of Chinese Ardsts Association， vice-president of Sichuan Artists Association and chairman of Sichuan Art Education Association.Now he works as president， professor and PhD candidate supervisor in the Art Academy of Sichuan University. He is also an expert who gets the special govemment allowance of the State Council. He has independently written and edited 11 academic monographs and published dozen of academic papers. Professor Huang has been engaged in teaching and research of art studies for a long time and especially has made significant achievements in the field of research on Chinese modem art. He is a quite influential in the area of art theory in China.

图书目录

Chapter Ⅰ: Sino-Western Sculpture and Culture

Sino-Foreign Cultures: Stability and Progress

"Modeling of Clay" and "Carving of Stone"

Civilizations of the Yellow River Valley and the Mediterranean

Chapter Ⅱ Sino-Western Monuments: Grand Empire and the World

Terra-Cotta Warriors and Augustan

The Dead and the Living

Hero and Steed

Chapter Ⅲ: Sino-Western Religious Sculpture" The Splendid Buddha World and the Stone Bible

Sino-Western Religious Attitudes and Sculptural Concepts

China, India and Europe

Aesthetic Interests of Sino-Westem Religious Sculpture

Natural Concepts of Sino-Westem Religious Sculpture

Chapter Ⅳ:Functions of Sino-Western Sculptures Grave Art and City Art

Chinese Tomb Culture and Sculpture

Closed Environment and Public Environment

Chapter Ⅴ: Conditions of Chinese and West- ern Sculptors: Slave Artisans and Artists

Social Position of Western Sculptors

Social Position of Chinese Sculptors

Making Statues on Imperial Order and the

Desire for Freedom

Fate of Chinese Sculptors and Great Artisans

Historical Conditions for Sino-Western Sculptures

Chapter Ⅵ The Forms of Sino,Western Sculptures: the Art of "Carving of Appearance and Painting of Nature" and the Art of Dimen-sion

Volume and Plane Relations

Linear Rhythm and Surface Structure

The Arts of Color and Physique

Chapter Ⅶ Aesthetic Value of Sino-Western Sculptures:Intuitional Naturalism and Ratio-nal Realism

"Lifelike Sculpture" and "Solemn Greatness"

"Meteorological Ambiguity" and "Noble Simplicity"

"Plain Sculpture" and "Material Melting into Form"