| 作 者： | 谢丹华 |
| 出版社： | 贵州人民出版社 |
| 丛编项： | |
| 版权说明： | 本书为出版图书，暂不支持在线阅读，请支持正版图书 |
| 标 签： | 外语 英汉对照 英语读物 |
| ISBN | 出版时间 | 包装 | 开本 | 页数 | 字数 |
|---|---|---|---|---|---|
| 未知 | 暂无 | 暂无 | 未知 | 0 | 暂无 |
前言
第一章 来自上古的舞者：贵州苗族与贵州苗族舞蹈
第一节 迁徙，迁徙，迁徙
Section One The Migratory Ethnic Group-the History and Native Environment of an Ethnic Group of Guizhou
蚩尤后裔
The Tribal Origin of Miao people
涿鹿之败
The defeat of Zhuolu War became the beginning of the historic migration
落根贵州
The Guizhou Base Camp
第二节 苗族，永远的舞者
Section Two A Dancing Nationality-Dance Plays an Important Role in the Social Life of the Miao People of Guizhou
祭祀祖先要跳舞
Dancing when they Worship Ancestors and Pray for Happiness
节日庆典要跳舞
Dancing when they Celebrate Festivals
恋爱婚姻要跳舞
Dancing for the Marriage Proposal
超度祭奠要跳舞
Dancing when they Hold Memorial Ceremony for the Deceased
第三节 舞殇，冲击与挣扎
Section Ⅲ A Time of Transformation-the Influence of Current Cultural and Ecological Changes over the Miao Dance in Guizhou
文化自觉的迷失
As a Result of Modern Civilization，there is a Lack of Cultural Consciousness of the Miao Dance
传承方式的衰变
The Out-dated Ways of Inheritance Hinders the Inhefitfince and Development of the Miao Dance
生存空间的萎缩
A Lack of Protection of the Original Ecology Leads to a Gradual Shrinking of the Living Space of the Miao Dance
第二章 舞步上的讲述：“迁徙舞”的文化考察
第一节 “迁徙舞”的叙史性特征
Section One Historical Narration as a Feature of the Migration Dance
民族记忆
National Memory
“迁徙舞”之“大”与“小”
The Main Forms of Historical Narration in the Migration Dance
舞步如歌
The Cultural Essence of Historical Narration in the Migration Dance
第二节 舞蹈叙史的多样性特征
Section Two The Diversity of the Migration Dance
多样性的成因
The Formation Background of the Diversity of the Migration Dance
多样性的特征
The Diversity of the Migration Dance
第三章 心灵的咏叹：“迁徙舞”的美学分析
第一节 从“实际活动”到“审美活动”
Section One From Practical Activties to Aesthetic Activties
从发生学角度看人类原始舞蹈艺术的审美特性
The Study of the Aesthetic Characteristics of Human Original Dancing Art from the Perspective ofEmbryology
作为人类审美活动发生的“活化石”的“迁徙舞”
The Migration Dance as the Living Fossil that Generated from Human Aesthetic Activities
第二节 从“动觉经验”到“动态意象”
Section Two From the “Kinesthetic Experience”to“Dynamic Image”
人类原始舞蹈艺术形式中“环舞”象征功能的一般分析
The General Analysis of Symbolism Found in the Form of the Original “Ring Dance”
“大迁徙舞”中“环舞”形式象征功能及形式美的特点
The Poussette's Symbofic Function and Charatceristics of Formal Beauty in the Great Migration Dance
结语 Conclusion
参考文献 Reference
